Reading Cedric Robinson

We are very pleased to announce the return of the interdisciplinary critical and cultural theory reading group Quilting Points for its twelfth consecutive year! 

This year we will be thinking with the work of Black Radical theorist Cedric Robinson. 


Photograph of Cedric Robinson in a black jacket with his finger on his chin.
Widely reproduced image but unknown date and photographer.

Robinson has risen to increased prominence in the last few years partly due to the 2021 republication of his 1983 classic Black Marxism: The Making of the Black Radical Tradition by Penguin Books, and the purchase that some of his concepts such as ‘racial capitalism’ and the ‘Black Radical Tradition’ have had within activist communities around the Black Lives Matter movement. Our reading group will provide an opportunity to look at this work in-depth but also a rare opportunity to situate it in the context of Robinson’s entire oeuvre.

Through a regular reading group, film screenings, artist talks, and other events, we will use Robinson's work as a way of re-examining the relationship between theory and practice. What are the uses of theory for social movements and how can social movements inform theory? 

Run by postgraduate researchers in the Faculty of Arts, Humanities, and Cultures, the directors for this year will be Poonam Sharma, Jack Rondeau, and Owen Atkinson. 

This year's meetings will take place in-person, with our first meeting of the year taking place on 26th October. More details coming soon.

We can't wait to see you all there!

Comments

Post a Comment

Popular posts from this blog

Robinson session 3: Robinson and the Decolonial

Thursday 29th February November | 5:30 – 7:00pm | The Alumni Room (School of English) We are happy to announce interdisciplinary reading group Quilting Points will return after a short break. Following our readings of  Black Marxism: The Making of the Black Radical Tradition  last term, we will begin this year by reading two short essays in which Robinson develops the ideas of that book in relation to thinking about the legacy of decolonial struggles on the African continent. In ' The appropriation of Fanon ', Robinson takes issue with what he sees as postcolonial theory's depoliticized conception of Fanon, and opens this up into a critique of the "native bourgeoisie", which he then develops in ' In Search of a Pan-African Commonwealth ', into thinking through the association between Pan-Africanism and the form of the Nation-State.  Everyone (at whatever level of study & whether enrolled at the University or not)  is welcome, and no prior familiarity w
Read more

CFP | Quilting Points 2024: Racial Capitalism and Cultural Resistance

  Quilting Points Call for Papers     CFP | Quilting Points 202 4 :    Racial Capitalism and Cultural Resistance     01 st Ma y 2024    Call for Papers – PGR-led symposium   Deadline: 15th December     Abstracts: 250 -words    The development, organization, and expansion of capitalist society pursued essentially racial directions, so too did social ideology. As a material force, then, it could be expected that racialism would inevitably permeate the social structures that emerged from capitalism (2)   Cedric Robinson – Black Marxism: The Making of the Black Radical Tradition (2021)   Originally published in 1983, Cedric Robinson’s work Black Marxism: The Making of the Black Radical Tradition has proved critical in thinking through the relationship between race and capitalism in a global context . It has experienced a renewed wave of interest over the last decade because of the purchase that some of his concepts such as ‘racial capitalism’ and the ‘Black Radical Tradition
Read more

Sylvia Wynter and The Tempest: 'Beyond Miranda's Meanings'

Image
Thursday 18 May | 5:30 - 7:00pm | Meeting Room G01 Written as an afterword to Out of the Kumbla (1994), the first edited collection of critical essays on Caribbean women’s literature, ' Beyond Miranda's Meaning: Un/silencing the "Demonic Ground" of Caliban's "Woman" ' analyses the ways in which race complicates gender, taking a discussion of Shakespeare’s The Tempest as a point of departure. According to Sylvia Wynter, this play not only posits Caliban as ‘the irrational native subject’ but in doing so also relegates 'Caliban’s "woman"' to a space of non-being. As such, the play reenacts the founding structure of the onto-epistemic order of Western Man. Analysing the function of the “ontological absence” of the Black female subject position, it is in this essay that Wynter coins the term “demonic ground”, which has since been taken up by various scholars in different ways, most notably by Katherine McKittrick. As always this sessio
Read more