Thursday 29th February November | 5:30 – 7:00pm | The Alumni Room (School of English) We are happy to announce interdisciplinary reading group Quilting Points will return after a short break. Following our readings of Black Marxism: The Making of the Black Radical Tradition last term, we will begin this year by reading two short essays in which Robinson develops the ideas of that book in relation to thinking about the legacy of decolonial struggles on the African continent. In ' The appropriation of Fanon ', Robinson takes issue with what he sees as postcolonial theory's depoliticized conception of Fanon, and opens this up into a critique of the "native bourgeoisie", which he then develops in ' In Search of a Pan-African Commonwealth ', into thinking through the association between Pan-Africanism and the form of the Nation-State. Everyone (at whatever level of study & whether enrolled at the University or not) is welcome, and no prior familiarity w
Quilting Points Call for Papers CFP | Quilting Points 202 4 : Racial Capitalism and Cultural Resistance 01 st Ma y 2024 Call for Papers – PGR-led symposium Deadline: 15th December Abstracts: 250 -words The development, organization, and expansion of capitalist society pursued essentially racial directions, so too did social ideology. As a material force, then, it could be expected that racialism would inevitably permeate the social structures that emerged from capitalism (2) Cedric Robinson – Black Marxism: The Making of the Black Radical Tradition (2021) Originally published in 1983, Cedric Robinson’s work Black Marxism: The Making of the Black Radical Tradition has proved critical in thinking through the relationship between race and capitalism in a global context . It has experienced a renewed wave of interest over the last decade because of the purchase that some of his concepts such as ‘racial capitalism’ and the ‘Black Radical Tradition
Thursday 18 May | 5:30 - 7:00pm | Meeting Room G01 Written as an afterword to Out of the Kumbla (1994), the first edited collection of critical essays on Caribbean women’s literature, ' Beyond Miranda's Meaning: Un/silencing the "Demonic Ground" of Caliban's "Woman" ' analyses the ways in which race complicates gender, taking a discussion of Shakespeare’s The Tempest as a point of departure. According to Sylvia Wynter, this play not only posits Caliban as ‘the irrational native subject’ but in doing so also relegates 'Caliban’s "woman"' to a space of non-being. As such, the play reenacts the founding structure of the onto-epistemic order of Western Man. Analysing the function of the “ontological absence” of the Black female subject position, it is in this essay that Wynter coins the term “demonic ground”, which has since been taken up by various scholars in different ways, most notably by Katherine McKittrick. As always this sessio
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