Thursday 18 May | 5:30 - 7:00pm | Meeting Room G01 Written as an afterword to Out of the Kumbla (1994), the first edited collection of critical essays on Caribbean women’s literature, ' Beyond Miranda's Meaning: Un/silencing the "Demonic Ground" of Caliban's "Woman" ' analyses the ways in which race complicates gender, taking a discussion of Shakespeare’s The Tempest as a point of departure. According to Sylvia Wynter, this play not only posits Caliban as ‘the irrational native subject’ but in doing so also relegates 'Caliban’s "woman"' to a space of non-being. As such, the play reenacts the founding structure of the onto-epistemic order of Western Man. Analysing the function of the “ontological absence” of the Black female subject position, it is in this essay that Wynter coins the term “demonic ground”, which has since been taken up by various scholars in different ways, most notably by Katherine McKittrick. As always this sessio...
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