QUILTING POINTS:

We're delighted to announce that Sara Ahmed will be joining us for a special event at the University of Leeds on Friday 11th May. Further details & information on booking will be released in the new year but in the meantime, save the date!

For our fifth and final session of this semester, we will be reading a section from the second chapter of Ahmed's The Promise of Happiness (2010), entitled 'Feminist Killjoys.' A PDF is accessible here . For further reading on the figure of the   killjoy we suggest the essay 'Feminist Killjoys (And Other Willful Subjects)' which is available  here .  The Promise of Happiness highlights how the killjoy emerges in relation to many of the figures who populate Ahmed's arguments, responding to the conditions of other affect aliens and contesting the idea of happiness itself. As Ahmed explains 't he feminist killjoy ‘spoils’ the happiness of others; she is a spoilsport because she refuses to convene, to assemble or to meet up over happiness' (65). Our reading for this week allows us to reflect upon many of our discussions and themes from semester one, raising important considerations of happy objects, willful subjects and much more.  The figure of

For our fourth session, we will be discussing Sara Ahmed's concept of 'the alien' through a reading of her essay 'Happy Objects,' collected in Melissa Gregg and Gregory J. Seigworth's The Affect Theory Reader (2010) and republished under the same title in Ahmed's book, The Promise of Happiness (2009). A PDF is available via Google Drive  here . (Secondary reading: Ahmed's post, 'Smile!' which appeared on her blog feministkilljoys in February 2017 - accessible here ). In 'Happy Objects,' Ahmed conceptualises affects as "sticky" insofar as 'affect is what sticks, or what sustains or preserves the connection between ideas, values and objects' (29). She considers how, in the process of being affected, different affects are transferred onto particular objects and make such objects the arbiters of particular feelings. This is to say, an object that makes one feels good affectively is affectively transformed into a goo