QUILTING POINTS:

For our third session, we will be reading the first chapter of Sara Ahmed's Willful Subjects (2014), entitled 'Willing Subjects.' A PDF is accessible via Google Drive here . (Secondary reading: a blog post by Sara Ahmed on feministkilljoys, entitled 'Willful Stones,' accessible here ). In 'Willing Subjects,' Ahmed is interested in fundamentally redefining "will" as not that which is behind action but, rather, 'an object of thought' and a 'mode of experience' that may or may not predicate an action (25). She construes the relationship between the potentiality of "willing" and the effects of "willing" in Lacanian terms as a split between 'the subject of enunciation and the subject of the énoncé ' whereby '[t]he will appears on both sides of the address, on the side of the subject and the object: who is willing, what is willed ' (27; original emphasis). To the extent that the willing subject is

For our second session (Tuesday 17th October), we will be reading the first chapter of Sara Ahmed's The Cultural Politics of Emotion  (2004), entitled 'The Contingency of Pain.' A PDF is accessible via Google Drive here . [Seconding reading: Susan Sontag's 'Photojournalism - social aspects' from Regarding the Pain of Others  (2003). A PDF is accessible via Google Drive here ]. In 'The Contingency of Pain,' Ahmed explores how bodies register pain psycho-somatically as well as through discourse. She is especially interested in how we discourse pain (i.e. by attaching pain to particular objects or by narrating the arrival of pain) in order to form our bodies as 'perceiving surface[s]' (Ahmed, 26) and instantiate our being in-the-world. In 'Photojournalism - social aspects' (2003), Sontag shares with Ahmed an interest in 'the sociality of pain' (Ahmed, 28); both are concerned with the act of witnessing. In striking semblance